Two stills from a superb documentary about my pal Aaron Swartz, whose death started me blogging in January 2013. The photo shows Aaron celebrating the victory over the passage of SOPA legislation. Scroll down to watch the entire movie.
I just received word that Paul Cronin, Rob Giampietro, Adam Michaels and Jeffrey T. Schnapp received a generous Graham Foundation grant for an exhibition analyzing and completing the inimitable Blueprint for Counter Education by Maurice R. Stein and Larry Miller, from which I quoted in this recent post. At the time I was writing a last-minute letter of support for the grant proposal, which I reckon it’s now safe to share with a new image and a few links. The fact that it fits 18 of my 30 subject tags indicates the project’s richness and its closeness to my heart! The Chicago-based Graham Foundation Graham Foundation for Advanced Studies in the Fine Arts is a wonderful institution that supported my first and last translation effort in the late ’90s.
23 January 2014 Dear Sir or Madam, I am writing in support of the project Blueprint for (a Media Archeology of) Counter Education, as presented to the Graham Foundation’s “Production and Presentation” grant category by Jeffrey Schnapp, Adam Michaels and Rob Giampietro. The proposed project as a natural successor to Schnapp and Michaels’ triumphant The Electric Information Age Book (TEAIB), an experiment intimately linked to the Blueprint project in form and subject matter. The book TEAIB defines the parameters of a short-lived and largely forgotten type of publication, variously described as the kinetic paperback, the inventory book and the experimental paperback. Beginning with The Medium is the Massage—the groundbreaking 1967 book written by Marshall McLuhan, designed by Quentin Fiore and ‘produced’ by Jerome Agel—these revolutionary little books rewrite the rules of style, layout and distribution. They also declare the irrelevance of divisions between highbrow and lowbrow, art and advertising, word and image, and (most crucially) form and content. This complicated mix of moves perfectly embodies McLuhan’s observation that the medium is the message. Continue reading
And he climbed with the lad up the Eiffelberg Tower.
“This,” cried the Mayor, “is your town’s darkest hour!
The time for all Whos who have blood that is red
to come to the aid of their country!” he said.
“We’ve GOT to make noises in greater amounts!
So, open your mouth, lad! For every voice counts!”
Thus he spoke as he climbed. When they got to the top,
The lad cleared his throat and he shouted out, “YOPP!”
And that Yopp . . .
That one last small, extra Yopp put it over!
Finally, at last! From the speck on that clover
Their voices were heard! They rang out clear and clean.
And the elephant smiled. “Do you see what I mean? . . .
They’ve proved they ARE persons, no matter how small.
And their whole world was saved by the Smallest of All!”
To the Honourable James Moore, Greg Rickford, Stephen Harper, and Industry Canada:
I see that today is the last day to hand in a response to the Harper Government™‘s quietly-released “consultation paper” on Science, Technology and Innovation. Based on an eponymous Speech from the Throne, the paper is titled “Seizing Canada’s Moment: Moving Forward in Science, Technology and Innovation.” The only other responses I’ve been able to find online are the thorough and thoughtful ones by scientists here and here. The first is from an organization of concerned scientists that “advocates for the transparent use of science and evidence in public policy and government decision-making.” The second is from a scientist/editor who wistfully notes that “I’m not naive enough to believe that anyone at Industry Canada will actually read my note, nor do I think it’ll actually make any kind of a difference, but I thought I should at least make some effort to engage.” As a defender of pure and applied research based on good libraries and an open-access information network, the beleaguered editor has good reason to feel that her government will not heed her.
The Seizing paper in question aggressively declares the Harper Government™’s intention to steer research by our federal government and institutions of higher learning in the direction of short-term “business innovation” at the expense of public interest. As one might expect from the only nation in the world to have renounced the Kyoto Protocol, the message is couched entirely in macho, platitudinous bizspeak: it’s all about seizing, competing and leveraging, or winning an imagined “global race for excellence, talent and prosperity.” In this my own modest effort to engage, I will question three bogus and dangerous assumptions underlying this latest effort to make all federally-funded workers succumb to the Harper ideology. Continue reading
In honour of main man Phil Ford‘s latest spate of alt-pedagogical ramblings over at Dial M, here are some excerpts from a Norman Birnbaum review in Change, vol. 2, no. 5 (Sep. – Oct., 1970), pp. 69-74. Thanks Jeffrey Schnapp for alerting me to this. -GL
Before us is a Blueprint for Counter Education, described as “curriculum handbook, wall decoration, shooting script,” and prepared by Maurice Stein (age 44, formerly professor of sociology at Brandeis and now dean of humanities at the California Institute of the Arts) and Larry Miller (age 24, one of Stein’s students at Brandeis). Blueprint consists of a box with the following description:
Inside this box are three charts and a book, the tools for creating a new educational environment. This counter-university makes obsolete the traditional university process. Surrounded by charts, the participant will be confronted by ideas and issues that compel him to interact with everything going on around him—from movies, to riots, to political campaigns. There is no textbook, no syllabus, no final exam; and the “Faculty” includes Marcuse, McLuhan, Eldridge Cleaver and Jean-Luc Godard, The Revolution Starts Here. Continue reading
Mark O’Connell’s recent New Yorker blog review of two new books on Jorge Luis Borges opens by sensitively praising the Argentine master’s literary talents, and closes by deeming him politically incorrect. One big problem, in O’Connell’s eyes, is Borges’s failure to adequately appreciate women writers. Without letting us in on the joke, the critic informs us that he “laughed out loud” upon reading Borges’ remark that Emily Dickinson was “the most passionate of all women who have attempted writing.” Perhaps it’s the word “attempt” that O’Connell expects his reader to find so laugable. And perhaps he doesn’t fully grasp Borges’ understanding that this is no insult, since any communication is but an essaie.
As a lead-up to a second fit of pique O’Connell recounts the following conversation from 1980: Continue reading