My first work of music criticism since a review of Bongo Fury in high school, this July 2013 blog post recounts an enthralling performance by krautrock legend Damo Suzuki and local psych rockers The Band Whose name is a Symbol. Now that cyberspace is so canned and commercialized will “resolutely real-time and non-virtual” experience become the new countercultural frontier?

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Art historian (PhD Harvard '03)

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